Christopher Hopkins is a composer and performer with special interests in the integration of electroacoustic composition, instrument design, and graphical notation, dialectics of historical musical styles, and performing Renaissance and Baroque music for the viola da gamba. His research in virtual reality coordinates sound synthesis with touch-enabled (haptic) 3-D virtual environments for applications to music composition, musical performance, and interdisciplinary arts (VE-SoundSynth).
Hopkins holds a Doctor of Musical Arts degree from Cornell University, where his principal mentors were Karel Husa (composition) and John Hsu (performance), and a Master of Music degree from the Cleveland Institute of Music, where he studied with Donald Erb and Eugene O'Brien. His undergraduate degree is from the University of Nebraska, during which time he was a cellist with the Lincoln Symphony Orchestra and Nebraska Chamber Orchestra. He is a recipient of an Aaron Copland Residency Award, and has been artist in residence with the Albers Foundation, Dorland Mountain Arts Colony, Hambidge Center for Creative Arts and Sciences, Kimmel Harding Nelson Center for the Arts, and Willapa Bay AiR.
His compositions have been performed at major music festivals in Athens, Basel, Grenoble, Hong Kong, Honolulu, Melbourne, New York, Tanglewood, Toronto, Vienna, and Zürich, in several national and international conferences devoted to experimental contemporary music, and from concert stages in England, Holland, and Switzerland. Media broadcasts including his work have been heard over the Australian Broadcasting Corporation, Canadian Broadcasting Corporation, Östereichischer Rundfunk, Radio Canada, WNYC, and Public Radio International. He works appear on the Innova and SEAMUS labels.
For Iowa State, Dr. Hopkins has been Director of the Center for Excellence in the Arts and Humanities, and developed a Minor in Music Technology, an Integrated Electronic Arts Cluster for Interdisciplinary Graduate Studies, and new courses in composition and music technology. He is on the faculty of the graduate program in Human-Computer Interaction. He frequently offers courses in the Honors Program and Frontiers of the Discipline courses for the College of Liberal Arts and Sciences. He is coordinator for the Lipa Festival of Contemporary Music and hosted the 2007 national conference of the Society for Electroacoustic Music in the United States, subsequently serving for six years on the board of directors as Director of Conferences. Prior to joining the faculty of Iowa State University in 2004, Dr. Hopkins taught at the University of Illinois, the University of Minnesota, and Syracuse University, offering courses in composition, music theory, electroacoustic music, music technology, and interdisciplinary courses in digital arts.