Although the German Renaissance was not the resplendent one of Italy, the Court of Maximilian I shone with a brillance that was second to none. Music was an indispensable part of court life, and the Kaiser surrounded himself with an entire battery of musicians and first-rate composers like Hofhaimer, Senfl, and Isaac.
I
Preambulum in re - Leonhard Kleber
organ
Meins trauens ist - Paul Hofhaimer
ensemble
Nach Willen dein - Paul Hofhaimer
Lute version - arranged by Hans Judenjunig
Organ version - arranged by Johannes Kotter
Original version for voice
Greyner Zanner - Heinrich Finck
instruments
II - Hans Neusiedler
Der Juden Tanz -
lute
Bicinien from Glareanus's Dodecachordon
Canon (Josquin Des Pres) - recorders
Hypomixolydian Canon at the Fifth (Gregory Meyer) - Viola da gamba and krummhorn
Servus tuus (Sixtus Dietrich) - sackbut and baritone
Christ ist erstanden (Easter son - ca. 1350) - men's voices
Christ is erstanden (Turmchoral - 1513) - instruments
III - Ludwig Senfl
Lust hab ich ghabt zuer Musica - tenor and instruments
Elend bringt Pein - tenor and instruments
Ich stund an einen Morgen - voices and recorder
Christ ist erstanden - tenors and instruments
Das Glaut zu Speyer - ensemble
IV - Heinrich Isaac
Missa Carminum - ensemble
kyrie
Gloria
Credo
Sanctus
Agnus Dei
V - Heinrich Isaac
Der Hund - instruments
Christ is erstanden - baritone and organ
Es het ein Bauer ein Tochterlein - ensemble