Associate Professor of Music
Mezzo-soprano Mary Creswell appears throughout the United States in opera, oratorio, and chamber music. Her active and varied performing schedule includes the operatic roles of Dorabella, Rosina, and Carmen. Her rich mezzo sound has been heard on the concert stage with the Detroit Symphony, Austin Symphony, South Carolina Philharmonic, and regularly with orchestras at the Interlochen Center for the Arts. The orchestrated songs of Mahler, Verdi's Requiem, and Jeremiah Symphony by Bernstein are gems in her repertoire. She is a frequent guest soloist with the American Chamber Players and is engaged with them in prestigious concert series spanning the country.
Lauded for her extremely versatile voice, Ms. Creswell effortlessly makes the transition from opera house and orchestra hall to chamber music and song recital. She has been described as having an inner pliability on stage, which transcends all boundaries. Her programs flow from Brahms and Ravel to folk songs and humor without missing a beat. She has also been a champion of new music and featured on several recordings under the Albany Label.
She received her early training at the University of Michigan where she was the recipient of the Elisabeth Schwarzkopf-Walter Legge Scholarship for graduate study. Her teachers at Michigan were Beverley Rinaldi and Eugene Bossart. The Metropolitan Opera chose her as a regional finalist, and she has been a guest performer in New York City's Avery Fisher Hall.
In May of 2006 Ms. Creswell joined internationally renowned bass-baritone Simon Estes, The Ames Quartet, and tenor Donald Simonson in a concert tour of South Africa. While in South Africa they performed for The Reverend Desmond Tutu and held vocal workshops for Cape Town students. An enthusiastic teacher of singing, Ms. Creswell served on the faculty of the Interlochen Summer Arts Camp for twenty seasons. She is now an Associate Professor of Music at Iowa State University where she teaches voice and directs opera. Her students have been finalist in The Metropolitan Opera Auditions and are heard on Broadway stages and in opera houses throughout the United States and Europe.